SHE SHOAL (2019)
Shot 40ft deep underwater in the Caribbean Sea of the Cayman Islands, in collaboration with deep sea diver Jason Washington and CGI artist Chris Antoniou, Miss Aniela directs a vision of part reality and part fantasy. In an unprecedented diving feat for model Coral Tomascik, who later transposed into a dress of 20,000 computer-created silverside fish becomes a surreal and otherworldly spectacle.
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Photography & production: Miss Aniela / Model: Coral Tomascik / Originally commissioned for Cayman Islands Department of Tourism.
WHITE WITCH AWAKENING (2014)
Surreal Fashion bestselling, signature piece shot in Aynhoe Park's orangery with their in-house taxidermy collection, live zebra, handmade dress by Leonid Gurevich, and all in-camera "real surreal" composition.
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Photography & production: Miss Aniela / Model: Mimi / Dress & styling: Leonid Gurevich / Hair: Tati Zarubova / Makeup Elbie van Eeden / Originally commissioned for Nikon D810 ad campaign 2014
CARDINALS' RING (2023)
SKATERS (2022)
In the summer of 2018 Miss Aniela travelled to Beijing to collaborate with fashion designer Guo Pei. World-renowned haute couterier Guo Pei, likened to a Chinese Alexander McQueen, is best known for designing Rihanna's trailing yellow gown at the 2015 Met Ball. Miss Aniela, using inspiration from Pei’s extreme ornamental high heeled shoes, has four models ‘skate’ amongst the gardens of Prince Kung’s Mansion, rich in dynamic colour and carrying crowns upon their heads.
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With credit to hair by Ming Yue; makeup by Zihui Yong; producers Sylwia Wu and Miss Aniela.
PRAYER CARDS (2022)
Prayer cards, known as Ema (or 'picture-horse'), which are small wooden plaques on which worshippers write prayers or wishes. They are left hanging up at the shrine, where the ‘kami’, or spirits, receive them. Once inscribed with a wish, prayer cards are hung at the shrine until they are ritually burned, symbolic of the liberation of the wish from the writer.
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BRIDLEWAY (2022)
Miss Aniela presents a new magical scene featuring the dresses of Guo Pei, shot in Beijing. Emerging through the rocks of Prince Kung’s Mansion is a beautiful model atop an animal of fairytale fame, a unicorn, with white flowing mane and tail is if in a candid moment before it disappears from our view again. From dragons to Qilins, this is yet another ambitious vision of fashion meets surreal CGI magic that adds to Miss Aniela’s surrealistic Guo Pei collection.
(Dress by @guopei; hair by Ming Yue; makeup by Zihui Yong; producers Sylwia Wu and @missaniela; CGI dragon by @chris_antoniou)
SPIRIT (2022)
"Spirit used to frighten her. It sounded like the shadow beyond her safe reality. But when she laid in her own shadow and discovered she was spirit, she was never scared again."
Shot in the one of the most elusive and exclusive locations of New York, a Yonkers-based castle named Greystone Court, model and muse Kim Davis, styled by Leonid Gurevich, reclines in this butterfly-adorned surrealistic piece.
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THE RED BREATH (2022)
The dragon must fly free, to do whatever it wants, whenever it wants! The divine symbol of the dragon goes back 5000 years in Chinese mythology, and stands for spirituality, wisdom and the chi energy of transformation that breathes through us. It represents the force of the yang, the masculine and virile. The dragon represents all things mysterious and inexplicable, yet at the same time creating order out of the chaos. Shot on location at Prince Kung’s Mansion in Bejing in collaboration with Chinese couturier Guo Pei.
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(Dress by @guopei; hair by Ming Yue; makeup by Zihui Yong; producers Sylwia Wu and @missaniela; CGI dragon by @chris_antoniou)
PHOENIX (2023)
An otherworldly fusion of model and fantasy creature. Originally shot in the Chateau de Challain with model Kim Davis and bodypainting by Lynn Schockmel, the stately location provided the rest of the inspiration as it does in many of Miss Aniela’s works.
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SWAN LAKE (2014)
In a Seattle ballroom with a handpainted mural, a redhead model adorned in voluminous powder blue tulle emerges from the waves of the ocean. One of Miss Aniela’s bestselling pieces of all time is a testament to both traditional photography and digital fantasy. Shot with a multi-light set-up on location, with every detail of the dress and makeup attended to by stylist Leonid Gurevich, Miss Aniela’s post-production magic infuses the sea from the Big Sur… to become indoors meet outdoors, dress meets water, woman meets nature. 'Swan Lake' has been exhibited in Crillon Hotel Paris, Paradise Hotel Korea, Salmontini London and Waldermarsudde Sweden.
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Production: Creative Live & Miss Aniela / Model: Taylor, Heffner Models / Stylist & dress: Leonid Gurevich / Jewellery pins: Remarkable Button / Lighting: Matt Lennard / Hair: Zoe Boysen / Makeup: Nikoma Souza
GRAPEVINE (2022).
‘Grapevine’ saturates an opulent Tuscan interior with an enchanting vineyard, to bring the outdoors indoors, for a dramatic vision by Miss Aniela. Utilising a uniquely natural-look CGI by Chris Antoniou, the piece features model Jordan Ebbitt, lurking sultry and animal-like on a sumptuous four-poster bed, wearing jewellery by designer Laurel Dewitt.
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BUT A DREAM (2022)
This piece is a fusion of photography with multiple 18th and 19th century boating and landscape paintings by classical artists including George Morland, Marcus Stone, and Carl Spitzweg.
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Model Grace Gray shot by Miss Aniela on a lake in the grounds of Chateau d'Challain estate in France, and weaved by the artist to synthesise a brand new environment with 8 historical paintings. Featuring George Morland's 'A Party Angling' (1789); 'A Pleasant Spot on the Thames' (1863) by Marcus Stone; 'A Party Of Gentlemen Fishing From A Punt' (1794) by Benjamin West; Winslow Homer's 'Hound and Hunter' (1892); 'Fishing on the Thames' (1860) by Alexander Rolfe; and distant boats from 'Old Battersea Bridge' (1874) by Walter Greaves. Mountain landscape from 'Lake Lucerne' byHermann Herzog (1882). Umbrella / parasol from 'The Poor Poet' by Carl Spitzweg, 1839.
WOLVES OF BEIHAI (2019)
The [yá zì 睚眦], hybrid of wolf and dragon, is one of the nine sons of the Dragon King in Chinese mythology. Aggressive and defensive, he is found symbolised on swords' cross-guards, a legendary creature with a coat of both fur and scales. In this piece, working with special effects artist Christopher Antoniou we re-imagined the legendary creature as companion to a majestic and statuesque woman adorned in couterier Guo Pei, shot within Beihai Park, Beijing.
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Photography & production: Miss Aniela / Designer: Guo Pei. Hair: Ming Yue. MUA: Zihui Yong. Producers: Sylwia Wu and Miss Aniela.
STATE OF GRACE (2017)
State of Grace is shot in the prestigious Green State Bedroom of Holkham Hall, the finest example of Palladian revival style and tall architectural scale in all of England. This piece is a modern twist on 19th century paintings of angels and archangels, to re-imagine an otherworldly ethereal creature of grand scale. The piece, the longest in the SF collection to produce, was created on medium format 100MP and several laborious months in post-production to bring out meticulous detail intended best for large scale viewing.
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Photography & production: Miss Aniela / Model: Gina Harrison / HMUA: Penelope Gwen / Stylist: Claudia Walder
POKERFACE (2015)
Shot in Belvoir Castle in England, in the beautiful exclusive Tapestry Room, on an fine-art production focused purely on creating a surrealistic piece.
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Photography & production: Miss Aniela / Model: Sanna Takalampi / Hair: Ceri Cushen & Julija Baranova / Makeup: Morgan Defre / Shoes: Natacha Marro / Stylist: Minna Attala / Assistant: Aneil Sharma
THE PARROT ROOM (2022).
As she let the wild flock freely descend into her dwelling and upon her very body and face - open to either attack or caress - she found within herself the place she began to see her real self, and there, a paradise.
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Model: Gina Harrison. Stylist: Claudia Walder. Holkham Hall, England.
GILT (2016)
Three baroque 'mermaids' become motifs for a world of gilt, four-poster beds and opulence that we long to inhabit.
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Photography & production: Miss Aniela / Model: Kim / Dress: Posh Fairytale Couture / Stylist: Minna Attala / Hair & makeup: Grace Gray
AWAY WITH THE CANARIES (2013)
Shot in Hamptons, NY. Featuring canary from 18th-century painting 'A Girl with a Canary and Open Cage' by Jean-Baptiste Greuze.
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Photography & production: Miss Aniela / Model: Annabelle Lyttle / Dress: Leonid Gurevich / Necklaces: Marina Prokopiva / Bracelets: Clara Kasavina / Hair: Numi Empire / Make-up: Nadine Vendryes / Stylist: Leonid Gurevich
THE GOVERNESS (2015)
Photography & production: Miss Aniela / Model: Kristina Vaiciunaite / Hair: Ceri Cushen & Julija Baranova / Makeup: Morgan Defre / Stylist: Minna Attala / Assistant: Aneil Sharma
THE LOCKET TREE (2019)
Miss Aniela presents a new piece created in Beijing in collaboration with renowned couterier Guo Pei, crafting the most surrealistic fashion pieces of Guo Pei's - the infamous gold 'boat dress' - as part of a new Surreal Fashion piece.
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Photography & production: Miss Aniela / Designer: Guo Pei. Hair: Ming Yue. MUA: Zihui Yong. Producers: Sylwia Wu and Miss Aniela.
TURTLES (2019)
Photographed forty-foot deep in an emerald dress in the Caribbean Sea of the Cayman Islands, in conjunction with deep sea diver Jason Washington and computer artist Chris Antoniou, Miss Aniela creates a vision of part reality and fantasy. In an unprecedented diving feat for the model, the turtles are added from additional in-situ photographs to create a breathtaking scene of human meets natural beauty.
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Photography & production: Miss Aniela / Model: Carmen Obied / Dress & styling: Leonid Gurevich / Originally commissioned for Cayman Islands Department of Tourism
INTO THE LAND OF THE QILIN (2018)
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Photography & production: Miss Aniela / Designer: Guo Pei. Hair: Ming Yue. MUA: Zihui Yong. Producers: Sylwia Wu and Miss Aniela. Qilin created by Guodong Zhao.
FIRE & ICE (2018)
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MELTING GAZE (2022).
And the more she looked into the deep lagoon of her own being, the more pain of the cold she could feel. And yet as it radiated out and through her, the more the frozen world around her began to deliquesce, to soften and warm into a place at once new and the same.
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Iceland fused with New York. Stylist: Leonid Gurevich / Model: Annabelle Lyttle / Hair: Lorenzo Diaz / Makeup: Ido Raphael / Dress: Madeline Gruen / Earrings & Rings: Cantamessa
ENTER THE GOLDEN DRAGON (2018)
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Photography & production: Miss Aniela / Designer: Guo Pei. Hair: Ming Yue. MUA: Zihui Yong. Producers: Sylwia Wu and Miss Aniela
UP THE GREAT WALL (2018)
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Photography & production: Miss Aniela / Designer: Guo Pei. Hair: Ming Yue. MUA: Zihui Yong. Producers: Sylwia Wu and Miss Aniela
STILL LIFE (2016)
In a Victorian mansion of Dutchess County New York. Parrot is from Jacob van de Kerckhoven (Netherlands) 'Still Life With Two Parrots' circa 1637.
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Photography and production: Miss Aniela / Stylist: Leonid Gurevich / Dress: Yumi Katsura / Hair: @arrellanobeauty / Makeup: David Razzano / Model: Loli / Earrings and rings: Iradj Moini / Styling assistants: Marina Gurevich & @sibsandco
STORM DOOR (2011)
Ships pour out from a siren who stands like Helen of Troy at the portal between worlds, biting her pearls to spell the sailors’ rescue or demise. This is the moment of inspiration at Weston Park, England, that sparked a new foray for artist Miss Aniela. Brought to a frisson of excitement by transplanting the painting into what she perceived as an otherwise dull fashion photo, her longstanding Surreal Fashion series was born.
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Photography & production: Miss Aniela / Model: Kim Rowley / Stylist & hair: Jay Jessop
POSTER & PLUMAGE (2016)
A young woman in an ice-blue patterned gown lounges in a train of ballet tulle, blending perfectly with the cushiony four-poster bed and papered walls. Her crown, the only fictional part of this real shoot, is set on top of her Madame Pompadour hair is alight in a plumage of electric lights.
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Photography & production: Miss Aniela / Model: Monika Gocman / Ragged Cinderella dress: Miss Aniela / Corset: National Theatre / Hair (bouffant blonde wig under peacock): Rachel Sigmon / Makeup: Grace Gray / Stylist: Minna Attala
HIGH & HUNGRY (2012)
A giraffe from the Muséum D'Histoire Naturelle in Paris wanders all the way to the Château de Champlâtreux twenty miles outside the city. Of course, such feats are only possible when a hair-brained photographer has shot one and then the other, and has the audacity back in England to composite such an absurd sight into life. No AI used! The result was an image that, despite having no human female model within the frame as the rest of Surreal Fashion, became a signature piece of the collection and hung in the Saatchi Gallery London.
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GOLDEN GOTHIC (2016)
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Photography & production: Miss Aniela / Model: Monika Gocman / Dress: Wendy Benstead / Styling Minna Attala / Hair Rachel Sigmon / Makeup Grace Gray / Choker Della Reed / Earrings Jolita
FORBIDDEN FLOWER (2015)
Shot in France, fused with butterflies from paintings by Carstian Luyckx, Rachel Ruysch, Ambrosius Bosschaert, Abraham Mignon, Adriaen Coorte, Balthasar Van Der Ast, Eelke Jelles Eelkema, Franz Leitger, Melchior d'Hondecoeter, and Jan Davidsz.
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Photography & production: Miss Aniela / Model: Ida Gutowska / Dress: Miss Aniela / Jewellery: Velvet Eccentric / Stylist: Minna Attala / Hair: Anne Veck / Makeup: Grace Gray
SCARLET SONG (2013)
Model shot in Bel Air, LA. Features boat from 'Ships in a Fresh Breeze' by Hermanus Koekkoek (1778-1851). Landscape shot at Big Sur, California; clouds shot in Kent UK.
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Photography & production: Miss Aniela / Model: Connie Roudier, Wunder Management / Styling & dress by Leonid Gurevich / Hair: Jeffrey Fetzer / Makeup: Heiddis Ros Reynisdottir / Shoulder piece: Nikita Karizma / Muzzle: Satori Breonn / Bracelets: Clara Kasavina / Metal bracelet: Gasoline Glamour / Rings: Shiang, Clara Kasavina & Gasoline Glamour
KAI FACE (2012)
Hanging in the Michelin-star Kai restaurant in Mayfair, London, is this iconic photographic tapestry by British photographer Miss Aniela. A close-cropped photo of a young Asian woman’s face is superimposed with a vast visual history of ancient Chinese paintings, hand-digitised over months of work by the artist, with endless tiny details of flowers, animals, people and landscape. No AI is used in Miss Aniela’s work. The last APs of this work are available in Large and XL, and two remain in the original XXL size of Mayfair - at which the intricate detail of this legacy piece is most spectacularly enjoyed.
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COALSHED FACE (2017)
From Faces Series. From Faces Series. Large-scale piece with hundreds of ancient paintings.
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BLOOM FACE (2016)
Look closely at ‘Bloom Face’ by artist Miss Aniela to discover centuries of art history all sitting upon the face of a model as the canvas - no AI or shortcuts used. English landscapes, Flemish still lifes, battle scenes and sporting subjects.. interwoven with animals, insects, cherubs and flowers… took 6 months in Photoshop to layer together, all while feeding her baby daughter. This is Miss Aniela's follow up to the Asian ‘Kai Face,’ here with a European flavour of classical painters including Thomas Gainsborough, Peter Paul Rubens, Angelica Kauffman, Anthony Van Dyck, Jan Van Kessel, Alexandre Desportes and many more. …Can you see a skull? A feeding baby? A swan with human arms, a canary in a jacket, a horse rider saddled on a petal? Intended especially for large scale printing, the detail of the resultant piece is breathtaking, an instant conversation starter for any home or venue.
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GIRL OF PREY (2012)
A blue-winged girl in a golden dress looks over her shoulder to the viewer, in a cold disused room in a French château twenty miles outside of Paris. It’s a stunning artwork of pure fantasy, using the wings of an eagle from the Museum d’Histoire Naturelle - a good decade before AI came on the scene. One of the earliest classics from Miss Aniela’s Surreal Fashion series, fusing contemporary fashion with classical art history and Rococo Revival.
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Photography & production: Miss Aniela / Model: Sophie Bergeret / Hairstylist: Virginie Barrault-Guignard / Make-up: Jennifer Guernier
ORIGAMI GIRL (2016)
Shot in Aynhoe Park, a young woman wears a beautifully crafted dress, all in white. Origami Girl holds up an intricately folded white bird made of paper. More of the same fantastically fly overhead.
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Photography & production: Miss Aniela / Model: Mimi / Dress & styling: Leonid Gurevich / Hair Tati Zarubova / Makeup Elbie van Eeden
MIGRATION SEASON (2012)
Shot in London with wallpaper in-situ. Published in Vogue Italia, May 2012 and exhibited at 101 Glimpses of Photo Vogue, summer 2012.
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Photography & production: Miss Aniela / Model: Katie Johnson / Dress: Queen of the Wild / Stylist: StyleCreative / Make-up: Grace Gray / Hair: Kaylee Yasmin
TUSK (2012)
In Tusk, a young woman in a white dress holds a magnifying glass, with a tusk handle up to her eye. Her eye is enlarged to gigantic proportions. Shot on location in Brooklyn, composition all in camera with no effects or AI, avant-garde photographer Miss Aniela leaves the interpretation of her work up to the viewer. Sold out in three sizes, this iconic work is still available in the indicated edition sizes.
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Photography & production: Miss Aniela / Model: Germaine DeNigris / Dress: Faviana / Stylist: Jay Johnson / Hair: Jessah Amarante / Make-up: Olivia Moss
THAWED FORTRESS (2015)
French chateau meets ice landscape, to become a stairway between worlds... bridging indoor and outdoor, stately opulence and raw landscape.
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Photography & production: Miss Aniela / Model: Kristina Vaiciunaite / Hair & makeup: Rachel Sigmon / Dress: Wendy Benstead / Hat: Posh Fairytale Couture / Choker: Velvet Eccentric/ Rings: National Theatre / Styling: Miss Aniela & Minna Attala
ICE SPELL (2014)
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Photography & production: Miss Aniela / Model: Hulda V / Stylist: Minna Attala / Dress: Agnieszka Osipa / HMUA: Grace Gray
GOLD LEAF (2015)
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Photography & production: Miss Aniela / Model: Kim Davis / Styling: Minna Attala / HMUA: Grace Gray
RISEN ROSE (2017)
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Photography & production: Miss Aniela / Model: Taylor Avalos / Dress & stylist: Leonid Gurevich / Hair & makeup: Zoe Boysen
THE STUDY OF FLIGHT (2016)
In a Victorian mansion of Dutchess County New York. Butterfly from “Still Life with Snake, Butterfly and Mushrooms” by Otto Marseus van Schrieck, 1619-1678.
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Photography and production: Miss Aniela / Stylist & dress: Leonid Gurevich / Model: Joanna / Butterfly necklace: Jade Chiu / Rings: Susan Ritter / Makeup: Ava Roston / Stylist assistants: Marina Gurevich & @sibsandco
FREEZE FRAME (2015)
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Photography & production: Miss Aniela / Model: Carmen Obied / Dress & jewellery: Stylist’s own / Stylist: Minna Attala / Hair & makeup: Grace Gray
ELEGANT ELEGY (2014)
Shot with the private taxidermy collection at Chateau de Challain.
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Photography & production: Miss Aniela / Model: Kim Davis / Dress created by Kirsty Mitchell Photography / Stylist: Minna Attala / Hair: Anne Veck / Makeup: Grace Gray / Photographer's assistants: Greg Sikorski, Ian Mears
CASTAWAY (2015)
Shot in Belvoir Castle, fused with lake.
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Photography & production: Miss Aniela / Model: Sanna Takalampi / Hair: Ceri Cushen & Julija Baranova / Makeup: Morgan Defre / Stylist: Minna Attala / Assistant: Aneil Sharma
LEGERDEMAIN (2012)
Shot in Paris. Fused with aspects from Pacific Ocean.
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Photography & production: Miss Aniela / Model: Hélène Lecomte D / Hairstylist: Virginie Barrault-Guignard / Make-up: Jennifer Guernie
DAWN TREADER (2015)
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Photography & production: Miss Aniela / Model: Kim Davis / Baroque corset: Fairytas / Dress: Rachel Sigmon / Hair, makeup & necklace: Rachel Sigmon
PRIDE OF HONOUR (2016)
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Photography & production: Miss Aniela & Wedluxe / Model: Kristina Vaiciunaite / HMUA: Elbie van Eeden / Dress: Ashi Studio / Shoes: Freya Rose / Stylist: Minna Attala
CASTAWAY PORTRAIT (2015)
A stunning portrait from Miss Aniela’s ‘Castaway’ concept based at Belvoir Castle, one of the artist’s most unique styled concepts, featuring model Sanna Takalampi with 18th century ruff and fishing rod, styling by Minna Attala.
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VICTORY VOYAGE (2013)
Shot in London. Beachscape from Big Sur, California. Clouds round lightbulb from 1859 seascape by Marcus Larsson.
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Photography & production: Miss Aniela / Model: Sorcha Piotrowski / Dress: Malgorzata Dudek / Headdress: House of Halos / Tulle & Organza skirts: National Theatre / Bracelets: Crystal Evolution / Ring: Culietta / Necklace: Mirabelle / Shoes: Stylist’s own / Stylist: Minna Attala / Hair: Oscar Alexander Lundberg / Make-up: Rhiannon Chalmers
HOME & DRY (2014)
Shot in London. Model and fishing shack composited onto scenery from 'A wooded landscape with travellers resting before a waterfall' by George Barrett (1728 - 1784).
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Photography & production: Miss Aniela / Model: Rosa Hamersma / Dress: Amberly Valentine / Crown: National Theatre / Necklace: Stylist’s own / Stylist: Minna Attala / Hair: Elbie van Eeden / Make-up: Rhiannon Chalmers / Photographer's assistant: Adrian Farr
STUFFED BIRDS (2011)
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Photography & production: Miss Aniela / Model: Gemma Huh / Designer: Sarmite Ostanevica/ Stylist: StyleCreative / Hair: Tati Zarubova / Make-up: Monica Storrs
GIRL IN A GOLDEN GEYSER (2014)
Shot in Bulgaria, fused with Iceland landscape.
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Production: Miss Aniela & Profiled; Nikon Bulgaria / Designer: Agnieszka Osipa / Model: Eva Valeva / Stylist: Dmitri Ivanova / Hair & makeup: Daniela Avramova /
MOTHERSHIP (2013)
Featuring Rembrandt.
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Giclée on Hahnemühle Photo Rag® Pearl paper, 3 limited editions: small (10) at 40 x 48cm; medium (5) at 65 x 78cm; large (3) at 96 x 115cm. Small and medium have 2AP (Artist's Proof), large has 1AP.
TORN TALE (2015)
Photo shot in London, fused with Johannes de Heem's 'Still Life with Books', 1628.
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Photography & production: Miss Aniela / Model: Vika Tsvyetkova / Dress and arm pieces: Rawrags / Shoes: Hex Heart Hollow / Gloves and jewellery: Stylist’s own / Stylist: Minna Attala / Hair: Anne Veck / Makeup: Morgan Defre / Assistant: Tim Charles Matthews
IGNITE MARES (2012)
Shot in London, fused with horses from works by George Stubbs circa 1770: 'Horse Frightened by a Lion' and 'Horse Attacked by a Lion' circa 1770.
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Photography & production: Miss Aniela / Model: Emily Hakin / Stylist - Lucy Ansa-Addo / Dress: Chrissie Fizz / Make-up: Rhiannon Chalmers / Hair by Stefano Mazzolini / Photographer's assistant:Tim Matthews
RAGGED ROCOCO (2015)
Photo shot in London, fused with painting: dog from 'Banquet Still Life' by Adriaen van Utrecht, 1644.
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Photography & production: Miss Aniela / Model: Giulia Zangrillo / Coat, skirt, shirt and corset: Rawrags / Necklace and earrings: Jolita / Shoes: Hex Heart Hollow / Stylist: Minna Attala / Hair & makeup: Elbie van Eeden
DOCKYARD DREAMING (2012)
Shot in London. Aspects fused from in-situ paintings.
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Photography & production: Miss Aniela / Model: Kendra Deanne / Designer: Ralph Pink / Stylist: Lauren Eva / Make-up by Ania Gastol / Hair: Ceri Cushen
THE ENCHANTED HOTEL (2015)
Shot at Chateau de Challain, France and fused with English forestscape.
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Photography & production: Miss Aniela / Model: Monica Gocman / Stylist: Minna Attala / Hair by Rachel Sigmon / MUA Grace Gray
CIRCUS CIRCUS (2017)
Monkeys from ‘A Diana Monkey in a landscape’ and ‘Peacocks’ by Melchior d’Hondecoeter; and from ‘Still Life with a Monkey, Jay and Parrot’ by Tobias Stranover. Bird from 'Still Life With Two Parrots' by Jacob van de Kerckhoven. All circa 1637 - 1700.
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Model: Anne Winterburn / Jumpsuit by Miss Aniela / Waistcoat, cuffs and ruff from the National Theatre / Choker by Della Reed / Shoes @natachamarro / Stylist: @minnaattala / Hair @tatizarubova / Makeup @gracegraymua
MAROONED (2015)
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Photography & production: Miss Aniela / Model: Kim / Hair & makeup: Grace Gray / Gown: Posh Fairytale Couture / Stylist: Minna Attala
TOUCAN (2013)
American couture spun with British kitsch humour, ‘Toucan’ looks good enough to eat! This kitsch piece by British photographer Miss Aniela, shot on location in a Hamptons villa, blends a pink-dressed couture model with exotic cartoon cut-out birds. Sold out in 3 sizes, the bestselling photo sits as part of the permanent collection at Hotel Crillon, Paris. No AI is used in Miss Aniela’s work, but traditional sets, styling and laboured forces of the imagination from inception to post-production.
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Photography & production: Miss Aniela / Model: Agnieszka Artych / Dress: Uta Bekaia / Hat: Uncaged Bird by Raquel Livia / Earrings: Kilame design by Pamela Quinzi / Rings: Clara Kasavina / Necklace: Marina Prokopiva / Hair: Kisha Marie / Make-up: Chifumi Nambashi / Stylist: Leonid Gurevich
MELCHIOR'S MEDLEY (2013)
Shot in Hamptons, NY. Painting sources: Pelican is from 'A Pelican and other birds by a pool', middle bird from 'Dead birds and hunting gear<' and top bird from an untitled bird painting, all circa 1660-95 by same artist, Melchior D'Hondecoeter.
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Photography & production: Miss Aniela / Model: Latrishe at KB1111 Models / Stylist: Leonid Gurevich / Dress: Von Vonni / Bobbin top: Kristin Costa / Turquoise necklace: Kilame design by Pamela Quinzi / Red necklace and necklace on head: Clara Kasavina / Hair: Numi Empire / Make-up: Nadine Vendryes / Stylist's assistants: Marina Gurevich, Michelle Ortega / Photographer's assistant: Brent McCombs / Shoot producer: Matt Lennard.
A ROOM WITH A VIEW (2015)
A young woman in a flowing nuptial dress waits by the window of a beautiful English manor, interrupted only by the gentle flowing waves of the sea from a classical 1857 Marcus Larsson painting. Photographed at Eastnor Castle in England, the work of avant-garde photographer Miss Aniela interweaves real shoots with classical paintings and natural elements.
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Photography & production: Miss Aniela / Model: Kristina Vaiciunaite / HMUA: Elbie van Eeden
PORTRAIT WITH PIGEON & POULTRY (2013)
Look carefully at ‘Portrait with Pigeon and Poultry’ by British photographer Miss Aniela. In a time back when such things were vastly important, a young woman is dressed for dinner. She has feathers in her hair and a cameo broach of a chicken at her breast. Shot in London, the feathered friend on her shoulder is from a 17th-century painting, by Melchior d’Hondecouter..
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Photography & production: Miss Aniela / Model: Natalia Doktor / Stylist: Minna Attala / Dress: Busardi / Collar: Della Reed / Silk neck ruff / National Theatre Costume Archive / Headpiece: Clea Broad / Hair: Tati Zarubova / Make-up: Monica Storrs / Stylist’s assistant: Becky Smith / Photographer's assistant: Ian Mears & Tim Matthews / Shoot producer: Matt Lennard.
MESSAGE TO MEDUSA (2014)
Shot New York, entwined with Herad of Medusa by Peter Paul Rubens (1617)
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Photography & production: Miss Aniela / Stylist: Leonid Gurevich / Model: Ivanka / Hair: Mann Morgan-Nance / Makeup: Eric Vosburg / Dress: Nene L.A. Shiro by Nathaniel White / Necklace & bracelet: Rebekah Price / Rings: Laruicci
PETALS & PETTICOAT (2015)
Photo shot in London, fused with Rachel Ruysch's 'Still Life with Flowers', 1710.
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Model: Grace Macmillan / Dress, neckpiece and jacket: Rawrags / Earrings: Jolita / Half pannier cage: National Theatre / Shoes: Hex Heart Hollow / Stylist: Minna Attala / Hair & makeup: Grace Gray / Assistant: Tim Charles Matthews
BIRDCAGE (2015)
Photo shot in London, birds from 'Poultry in Landscape Under a Tree' and 'Concert of Birds' by Melchior d'Hondecoeter, 1670.
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Photography & production: Miss Aniela / Model: Grace Macmillan / Dress and jacket: Rawrags / Shoes: Hex Heart Hollow / Pink necklace and earrings: Jolita Jewellery / Crinoline cage skirt: National Theatre / Other jewellery: Stylist’s own / Stylist: Minna Attala / Hair & makeup: Grace Gray / Assistant: Tim Matthews
WHAT HE BEQUEATHED (2016)
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Production & photography: Miss Aniela / Model: Kim D / Dress & jacket: Miss Aniela / Blouse: National Theatre / Earrings: Jolita / Rings: Velvet Eccentric & Stylist’s own / Hair & makeup: Grace Gray / Stylist: Minna Attala
LOW TIDE (2016)
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Photography & production: Miss Aniela / Model: Kristina Vaiciunaite / HMUA: Elbie van Eeden
A FASHION MOMENT (2013)
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TRUSSED TROPHIES (2013)
Shot in London. Rabbit from 'Still life with a dead rabbit and falcon'(1678) by Dirck de Bray. Birds under lamp from 'Still life of game', circa 19th cent by Andreas Lach.
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Model: Faye Shearwood / Stylist: Minna Attala / Dress: Busardi / Feather & cape: National Theatre Costume Archive / Hair: Doubravka Marcinkova / Make-up: Rhiannon Chalmers / Stylist’s assistant: Becky Smith / My assistant: Tim Matthews. Shoot producer: Matt Lennard.
CRIMSON QUEEN (2015)
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A NEW LILITH (2015)
Shot in New York. Fusion of fashion photo with Evelyn de Morgan's 'Cadmus & Harmonia' (1877).
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Photography & production: Miss Aniela / Model: Ivanka / Stylist: Leonid Gurevich / Makeup: Eric Vosburg / Dress: Mimi Prober / Bolero: Yumi Katsura / Necklace: Laruicci / Shoes: Zack Lo
MADAME MENAGERIE (2014)
Shot at Greystone Court, New York. Fused with monkeys and birds from Menagerie by Melchior d'Hondecoeter, 1690. Snake from Cadmus & Harmonia by Evelyn de Morgan, 1877.
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Model: Kimberley Davis / Stylist & dress: Leonid Gurevich / Hair: Takayoshi Tsukisawa / Makeup: Maraz using Makeup Forever / Necklace: Clara Kasavina / Bracelets & rings: GBGH Jewellery / Stylist assistants: Janna & Jenneka Temkins
HARMONY STRING (2011)
Shot in London with painting in-situ (artist unknown).
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Model: Grace Gray / Dress: Edwin Csh / Stylist: StyleCreative / Hair & make-up: Kaylee Yasmin.
THE DANCE (2013)
Shot in Hamptons NY, fused with 'Landscape with a Dog and Partridges' by Alexandre-Francois Desportes, 1719.
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Model: Agnieszka Artych / Bodice, dress, shoulder decoration & tulle headpiece worn as part of dress: Esther Jean / Feather crown: Anya Caliendo Couture Millinery Atelier / Earrings and shoes: Kilame design by Pamela Quinzi / Flower bracelets, and leather flower necklace: Bloom Bazaar / Hair: Kisha Marie / Makeup: Chifumi Nambashi / Stylist: Leonid Gurevich / Stylist’s assistants: Marina Gurevich, Michelle Ortega.
THE FISHERMAN'S DAUGHTER (2013)
Features two paintings, 'Still Life with Golden Bream' by Francisco de Goya (circa 1808-1812) and stormy sea from seascape by Marcus Larsson, 1852.
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Model: Rosa Hamersma / Dress: Malgorzata Dudek / Ring: Mirabelle / Headdress & wrist piece: from stylist / Stylist: Minna Attala / Hair: Oscar Alexander Lundberg / Make-up: Rhiannon Chalmers / Stylist’s assistant: Claudia Walder / My assistants: Tom Mazgai, Ian Mears & Aneil Sharma / Shoot producer: Matt Lennard.
ANNABELLE OBSERVATORY (2014)
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THE TAMED TAPESTRY (2012)
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